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RESPONSIVE WORKBENCH : THINKING BY HAND 1993 The Responsive Workbench is an evolution of the interactive table interface in Berlin-Cyber City, which inspired physicist Wolfgang Krüger's Responsive Workbench idea. The first prototype was created in

In this piece, while observing the effects of new technology, Olga Kisseleva has singled out the conditioning of behaviour at the heart of complex systems on the local as well as the global scale. Her interventions, which are strictly related to

Commissioned by the National Centre for Contemporary Art (Russia), in partnership with The PRO ARTE Foundation (Russia), Urban Quick Response is a project by Olga Kisseleva, created in urban space, in collaboration with local researchers. The work,

Landscape Painting shows painted landscapes—a desert scene with cacti and rocks and a jungle scenario. The artist traveled to two locations in Mexico, where he selected an appropriate segment of land and organized a team of local helpers. He paid

Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived

Installation with 3D printed objects The border between the USA and Mexico is one of the most frequented borders in the world. Its fortifications serve primarily to control migration and the transaction of goods. The wall piece 'Grenzzaun' consists

Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural

Stage performance with three dancers and sixty plastic boxes as scenographic objects, video mapping surfaces, and sound and light sources. Analogy between geopolitics and children's games. Internet found-footage combining images of Syrian refugee

Suburban Meditation (2003-2009) This installation is a commentary on the worship of materiaism in American Suburbia, The inspiration dedrives from the weekly practice of lawn mowing in suburban Baton Rouge Louisiana after visiting the Ryoan-Ji Zen