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  • "Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era", "Transformation, Innovation, and Leap Development"
    Event: "Aesthetics, Politics and Economics of Attention. The New Role of the Artist in Public Space at the Digital Era", "Transformation, Innovation, and Leap Development"Institution: BIT’s 1st Annual Global Congress of Knowledge Economy 2014
  • INTERCONNECT@between attention and immersion -
    Event: INTERCONNECT@between attention and immersionInstitution: ZKM - Center for Art and MediaComment:
  • I'm sorry I made you feel that way -
    “I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring
  • Thomas Porett
    The foundation of my work has always begun with the photograph, which has been rightly considered a “moment” often effectively standing as a singular, self-contained expression. Although this is certainly one important aspect of photography, it has
  • "META.morfosis" -
    META.morfosis Museum and Art in the Digital Era Duration: January 27th – June 2006 Curated by: António Cerveira Pinto Author(s): Various Print Press The META.morfosis project gathered the works of up to 26 outstanding artists whose
  • Guest Essay Isabella Iskra
    This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today
  • Limitless2023 -
    This interactive real-time artwork comments on the volatility of the stock market and the ephemeral nature of wealth, through an exploration of the intersection of technology, finance and mythology. Harris employs live market data, organising
  • Kitsun -
    KITSUN est un instrument de navigation fondé sur la dynamique des flux sémiques urbains. Dans les champs d’attractions qu’ils génèrent, ces flux informationnels viennent se substituer aux champs magnétiques de la boussole dans la détermination des
  • Pedro Alves da Veiga
    Pedro Alves da Veiga is a Portuguese transdisciplinary artist and researcher. He holds a degree in Computer Science (Nova University of Lisbon), a Post-graduation in Advanced Studies of Digital Media Art (Aberta University) and a PhD in Digital
  • VideoFest '96
    Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given
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