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  • Disembodied Voices
    Disembodied Voices, 2004 was a five projector multi-sensory interactive installation in which the viewer moves through a series of experiences exploring the differences between public and private life and how the global phenomenon of cell-phone
  • 090909 UpStage Festival -
    The 090909 UpStage Festival took place on 9 September 2009 (with bits on the 8th or the 10th depending on where you were in the world). 14 performances by artists across 9 time zones were presented over the 20 hours of the festival, with audiences
  • Transitional Spaces -
    Transitional Spaces consists of three installations: Garden, Light Behaviours and Wheel of Fortune. A blurred image of a garden begins to oscillate when someone enters into the motion sensing camera's field of vision. The image becomes more
  • AND Abandon Normal Devices
    ABANDON NORMAL DEVICES FESTIVAL OF NEW CINEMA AND DIGITAL CULTURE Abandon Normal Devices (AND) welcomes audiences to experience the best in new cinema and media art in a celebration that spills from screens and galleries into the streets and
  • Four Questions for George Legrady
    Thompson, Steve. Four Questions for George Legrady https://cabanahome.com/four-questions-for-george-legrady-with-steve-thompson/.
  • Interview: George Legrady, chair of the Media Arts and Technology program.
    Müller Arisona, Stefan. Interview: George Legrady, chair of the Media Arts and Technology program. https://mulpress.mcmaster.ca/jpc/article/view/157/108.
  • Televirtual Chit Chat video
    During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space.
  • Data Art in Cyberspace: George Legrady on Remote Learning
    Akhavein, Marina. Data Art in Cyberspace: George Legrady on Remote Learning https://www.hfa.ucsb.edu/news-entries/2020/11/15/data-in-cyberspace-george-legrady-on-remote-learning.
  • Silvers Alter
    Silvers Alter took the form of a large projection of 22 men and women. This population of people was changed - or evolved - by the audience's presence and movement within the gallery space. When the audience selected a person, information
  • Tür für Huxley - video
    Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating
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