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  • ursula damm greenhouse converter, 2008 Cybernetic-model, consisting of waterfleas (daphnia magna), algues (Hydrodictyonreticulatum, volvoxglobator), LEDs with changing colours; pump, monitor, camera, waterfountain Water enriched with
  • Greenhouse Converter -
    The greenhouse converter is an apparatus for algae, water fleas and people. Water from a fountain, enriched with atmospheric gases, especially carbon dioxide, is pumped from beneath via an air supply into an aquarium. This feeds an algal culture
  • Media Facades -
    MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
  • Duende Diagram -
    A cartographic map of the different flows that constitute my theories of a becoming cultured brain. More specifically how noise and improvisation through their bringing about difference and variation in the cultural landscape producing other neural
  • Scholar/artist. Topics: Theories of the digital, conceptual writing, electronic literature
  • artist and researcher with focus on art and media theories
  • Pommier, Edouard. Théories du portrait. De la Renaissance aux Lumières. Paris: Gallimard, 1998.
  • Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.
  • On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals
  • I am PhD researcher, professor and translator based in Barcelona and specialized in Digital Cultural Communication, meaning both Digital Media Studies and Digital Art in their theoretical aspects. I have written two books on narration in Digital