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Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company, 1999.

Penny, Simon. Virtual Reality as the End of the Enlightment Project In Virtual Reality Casebook, edited by Carl Eugene Loeffler and Tim AndersonHoboken, New Jersey: Van Nostrand Reinhold Company, 1994.

Davies, Char. Changing Space: Virtual Reality as an Arena of Embodied Being In Multimedia: From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 293-300. New York: W. W. Norton and Company, 2002.

Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.

Miller, Arthur. Colliding Worlds: How Cutting-edge Science is Redefining Contemporary Art. New York City: W. W. Norton & Company; 1 edition (June 16, 2014), 2014.

Grau, Oliver. Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities In Mind and Matter: Comparative Approaches towards Complexity, edited by Günther Friesinger and Johannes Grenzfurthner and Thomas Ballhausen,

Apter, Emily S.. The Translation Zone. A New Comparative Literature. Princeton, NJ: Princeton Univ. Press, 2006.

Manovich, Lev. Style Space: How to compare image sets and follow their evolution http://manovich.net/index.php/projects/style-space.

Manovich, Lev and Jeremy Douglass and Tara Zepel. How To Compare One Million Images? http://manovich.net/index.php/projects/how-to-compare.

Sommerer, Christa and Laurent Mignonneau. HAZE Express In CyberArts 1999: International Compendium - Prix Ars Electronica 1999, edited by Hannes Leopoldseder and Christine Schöpf, 92-93. Vienna, New York: Springer Verlag, 1999.