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Patrick Kahn. 11 Artists 11 Works The Book (The Compact Magazine) 11, no. 6 (Autumn 1990): 8.

Frith, Simon and Will Straw and John Street. The Cambridge Companion to Pop and Rock. Cambridge, MASS: Cambridge University Press, 2010.

Bernardo Villar. "Flujos comunicativos cotidianos como experiencia artística. Fotografía digital y redes 2.0". Vol.'Tarjeta de Memoria / Memory Card. Ensayos sobre fotografía contemporánea'. Bogotá: Universidad Jorge Tadeo Lozano de Bogotá, 2014.

DOMINGUES, DIANA MARIA G and M MORENO. Ciberarte e criatividade: glossário e data mining como sistema vivo de apoio à aprendizagem In Artes: criatividade e tecnologias, edited by DIANA MARIA G DOMINGUES and M MorenoVol.1. 1, , 320-331. Chapecó:

DOMINGUES, DIANA MARIA G. As Instalações Multimídia Como Espaços de Dados Em Sinestesia Relações Corpo/ Arquitetura/ Memória e Tecnologias. Coletânea Ccha Cultura e Saber, Caxias do Sul: EDUCS 1, no. 2 (1997): 33-51.

Bray, Joe and Alison Gibbons and Brian McHale, ed. The Routledge companion to experimental literature. London: Routledge, 2012.

Biggs, Michael and Henrik Karlsson, ed. The Routledge Companion to Research in the Arts. The Routledge Companions, 2011 th ed.London, UK: Routledge, 2011.

Loeffler, Carl Eugene and Tim Anderson, ed. The Virtual Reality Casebook. first Edition th ed.Hoboken, NJ: Van Nostrand Reinhold Company, 1994.

Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.

Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.