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Painting With Light at Tate Modern
2013
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2013
For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
Hyper Real
2014
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2015
For her new series “Hyper Reality” Olga Kisseleva has photographed food items stolen by consumers in a supermarket and reconstructed them as still lives. Each photo allows one to paint a portrait. Olga Kisseleva’s historical references are situated
Surveillance Cameras: they are alive!!!
2010
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2011
Due to the increasing proliferation of surveillance cameras, we are caught up in an everyday and worldwide “paranoia” of insecurity, what we could call “a society of surveillance”. This project wishes to create a series of “living” robotic cameras
Everyday Stories
1980
Legrady, George. Everyday Stories. : 1980.
The Exceptional and the Everyday: 144 Hours in Kyiv
2014
Manovich, Lev and Alise Tifentale and Mehrdad Yazdani and Jay Chow. The Exceptional and the Everyday: 144 Hours in Kyiv http://manovich.net/index.php/projects/kiev-article.
The Practice Of Everyday (Media) Life
2008
Manovich, Lev. The Practice Of Everyday (Media) Life http://manovich.net/index.php/projects/the-practice-of-everyday-media-life.
Discussion with Sawad Brooks, Daniel Canogar, Michael Ferraro, Andreas Froech, Greg Lynn, Joseph Nechvatal, and Bill Seaman
1998
Joanna Spitzner. Discussion with Sawad Brooks, Daniel Canogar, Michael Ferraro, Andreas Froech, Greg Lynn, Joseph Nechvatal, and Bill Seaman http://www.everydayarchive.org/pdf/bodymechdiscussion.pdf.
Conclusive Evidence
2007
Fau Alexandra. Conclusive Evidence. Marseille, France: Dukan et Hourdequin, 2007.
See No Evil
2021
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2021
SEE NO EVIL is a drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitious autobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality
DO NOT CROSS
2014
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2014
The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common
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