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  • Between the crystalline and the chaotic
    Everitt, Dave. Between the crystalline and the chaotic Digital Creativity , no. https://doi.org/10.1080/14626268.2013.813379 (September 2013).
  • Is Creativity a ‘natural’ process?
    Everitt, Dave. Is Creativity a ‘natural’ process? Consciousness Reframed: art and consciousness in the post-biological era (December 2011).
  • Cultural anxiety 2.0
    Everitt, Dave and Simon Mills. Cultural anxiety 2.0 Media, Culture & Society , no. https://doi.org/10.1177/0163443709339463 (September 2009).
  • The Artist as Digital Explorer
    Everitt, Dave. The Artist as Digital Explorer Explorations in Art and Technology , no. https://doi.org/10.1007/978-1-4471-0197-0_18 (2002): 173-178.
  • Everson Museum of Art
  • Syncronicity - The Circus of Everyday Life -
    Syncronicity 2008 This work developed out of my research fellowship at goldsmiths college.This is a live visualisation of a hand drawn city. Dozens of hand drawings are being walk on by small robots. The real space made as a visualisation. A
  • Invisible Istanbul: Captured Images video
    This augmented reality work series is located in and around the buildings of the Istanbul Biennial. Inspired by Pedrosa and Hoffmann's curatorial statement referencing the works and methodology of Felix Gonzalez-Torres, these artworks overlay simple
  • Mega Diary
    Open Diary project to understand the unrelated person. This is a project which opens many people's everyday lives to the public through computer networking. Participants write down diaries on a bulletin board on internet for 100 days. This
  • Nothing Remains the Same (Sensoric Organ) -
    Influence, change and transformation are keywords in Peter Hagdahl’s ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where sculpture, painting, drawing, snapshots, paperclippings and a powerengine created a system ranging from
  • Sculptures -
    For us humans, who are limited in time and space, time is a one-dimensional affair. We can move only along one axis we define in co-ordinates of "past-present-future". (In this definition, "present" is the origin of our co-ordinate system, "past"
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