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Art and Marginal Communication 1974

Fischer, Hervé, ed. Art and Marginal Communication. Paris: Balland, 1974.
Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art 2003

Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].
Decidophobia – an artistic research on the possibilities of immersive environments 2014

Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.
Peristrephic Pleasures, or the Origins of the Moving Panorama 2004

Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
Artistic Gesture: Expression, Communication, Participation 2001

Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.
NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces 2012

Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces Journal of Science Communication (December 2012): 5.
‘Instructions’ catalogue essay for Fieldwork 2 2012

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).
" The possibility of communication",in « Communication-identification » 1998

Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.
The Context is the Message: Interactive Art as a Medium of Communication 1997

Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International Symposium on Electronic Art, edited by Michael B. Roetto, 36-40. Rotterdam: 1997.
" Emotion Machines and Database Imagination ",in « Communication-identification » 1999

Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.

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