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" The possibility of communication",in « Communication-identification » 1998

Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.
" Emotion Machines and Database Imagination ",in « Communication-identification » 1999

Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.
Performance Art+Internet = Communication 2018

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.
Architectures réactives de la communication 1998

Benayoun, M.. Architectures réactives de la communication www.benayoun.com.
LumiTouch: An emotional communication device 2001

Ishii, Hiroshi and Angela Chang and Ben Resner and Brad Koerner and XingChen Wang. LumiTouch: An emotional communication device CHI ’01 Extended Abstracts on Human Factors in Computing Systems (CHI EA ’01). Association for Computing Machinery
Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) 2020

Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring
CAT - Communication, Art, Technology: History of a project - step by step.” 1998

Fleischmann, Monika and Andrea Helbach. CAT - Communication, Art, Technology: History of a project - step by step.” [ ].
Life Encoded - The Communication Art of Eduardo Kac 2010

Paul, Christiane. Life Encoded - The Communication Art of Eduardo Kac In Curatorial essay written for the exhibition, edited by n/aRio de Janeiro: 2010.
CommunicationIdentification 1999

Manovich, Lev and Jean-Luc Alpigiano, ed. CommunicationIdentification. Paris: Galerie Jorge Alyskewycz, 1999.
Raquel Herrera

I am PhD researcher, professor and translator based in Barcelona and specialized in Digital Cultural Communication, meaning both Digital Media Studies and Digital Art in their theoretical aspects. I have written two books on narration in Digital

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