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  • Have a Nice Day II
    The PHSCologram is a homage to 'Have a Nice Day' produced in 2002 by Ellen Sandor in collaboration with Martyl Langsdorf’ the author of Doomsday Clock, originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The
  • Have a Nice Day
    The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,
  • Toni Dove
    Toni Dove has produced unique and highly imaginative embodied hybrids of film, installation art and experimental theater. In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion
  • Simon Penny
    Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building.
  • A-Volve - An Evolutionary Artificial Life Environment
    Sommerer, Christa and Laurent Mignonneau. A-Volve - An Evolutionary Artificial Life Environment In Artificial Life, edited by Christopher G. Langton and Katsunori Shimohara, 167-175. Boston: MIT Press, 1997.
  • Artificial Life. An Overview
    Langton, Christopher G., ed. Artificial Life. An Overview. Cambridge, MA: MIT Press, 1995.
  • An Approach to the Synthesis of Life
    Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.
  • Mapping the web infome -
    Event: Mapping the web infomeInstitution: New Langton ArtsComment:
  • Lifelike -
    Event: LifelikeInstitution: New Langton ArtsComment:
  • Catherine Richards
    Catherine Richards is a visual artist and professor working in old and new media. She uses installations and participatory strategies to reflect on the idea of technological impact in the body and often uses transparency and electricity as an
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