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  • Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
  • .. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..
  • Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived
  • Eduardo Kacsounding out the non-binaryThe Archive of Digital Art, 06/2022Text by Carla Zamora and Samantha Mealing, Interview on Time Capsule by Samantha Mealing,Rachel de Joode and Herbert Gmoser.“In the course of pursuing Bio Art we have
  • Gates-Stuart, Eleanor. Communicating Science: Explorations through Science and Art Phd Thesis, Australian National University, Australia, July 2015.
  • Gates-Stuart, Eleanor. Communicating Science: Explorations through Science and Art (MIT Press Journals, Early Access, part of Top-Rated LABS Abstracts 2015 (doi:10.1162/LEON_a_01301) Leonardo (2016) (2016).
  • Legrady, George. Pockets Full of Memories In Visual Communication, edited by Theo Van LeeuwenVol.1. , 163-169. London: Sage Publications, 2002.
  • Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag,