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Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].

Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.

Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.

Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.

Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces Journal of Science Communication (December 2012): 5.

Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).

Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.

Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International Symposium on Electronic Art, edited by Michael B. Roetto, 36-40. Rotterdam: 1997.

Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.