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The Dump, 207 Hypotheses for Committing Art 2011

Benayoun, M.. The Dump, 207 Hypotheses for Committing Art. France: Fyp editions, 2011.
Reduction to Pixels -- Using a Common Human Computer Interface to create 3D Artificial Realities 1998

Hsin Hsin, Lin. Reduction to Pixels -- Using a Common Human Computer Interface to create 3D Artificial Realities Leonardo Electronic Almanac 6, no. 5 (June 1998).
Ryszard W. Kluszczynski

Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
MERCE CUNNINGHAM: COMMON TIME 2017

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.
Collaborative Augmented Reality 2002

Billinghurst, Mark. Collaborative Augmented Reality Communcations of the ACM - How the Virtual Inspires the Real 45 (July 2002): 64-70.
Cybernetics, or Control and Communciation in the Animal and the Machine 1961

Wiener, Norbert. Cybernetics, or Control and Communciation in the Animal and the Machine. Cambridge, MA: The MIT Press, 1961.
The Database of Virtual Art: For an Expanded Concept of Documentation 2003

Grau, Oliver and Christian Berndt. The Database of Virtual Art: For an Expanded Concept of Documentation edited by Paris Ministère de la Culture et de la Communicacion, 2-15. : 2003.
The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 2018

Alvaro, Sandra. The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 17 (Nov 2018).
apropriations of the (un) common public and private space in times of mobility 2009

Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
Featured Artist Scenocosme 12/2014

.. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..

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