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L’Homme Transformé 2002 - 2002

Event: L’Homme TransforméInstitution: Cité des Sciences et de l’Industrie, ParisComment:
The Blackest Spot 2008

The Blackest Spot was a five-projector room-sized interactive installation that explored the representation of crowds and the myriad reasons for public gatherings. Animated imagery, ambient crowd sounds, and fragments from well known speeches
Man Transformed 2003

Event: Man TransformedInstitution: Paris La VilleteComment:
Transitory Objects, Transformers 84/04 Interactive Installation, Oeiras Festival 2004 - 2004

Transitory Objects, Transformers 84/04 Interactive Installation, Oeiras FestivalArtist: Patrícia GouveiaComment:
Balance-Unbalance: Transforming Paradigms (Art Environment) 2018

Dal Farra, Ricardo. Balance-Unbalance: Transforming Paradigms (Art Environment) Leonardo 51, no. 2 (April 2018): 176-177.
https://www.vice.com/en_us/article/xy4da7/skin-transforms-your-emotions-into-sound-a-color-through-sweat-data 2014

VICE. https://www.vice.com/en_us/article/xy4da7/skin-transforms-your-emotions-into-sound-a-color-through-sweat-data 05.06.2014.
Transgene Kunst 1999

Kac, Eduardo. Transgene Kunst In Ars Electronica 1999: LifeScience, edited by Christine Schöpf and Gerfried StockerWien, New York: Springer Verlag, 1999.
GFP Bunny 2001 - 2001

As a transgenic artist, I am not interested in the creation of genetic objects, but on the invention of transgenic social subjects. In other words, what is important is the completely integrated process of creating the bunny, bringing her to society
The Transgenic Art of Eduardo Kac 2002

Popper, Frank. The Transgenic Art of Eduardo Kac Artpress 276 (February 2002).
The Eighth Day: The Transgenic Art of Eduardo Kac 2003

Lucie-Smith, Edward and Steve Baker and Carol et.al. Becker. The Eighth Day: The Transgenic Art of Eduardo Kac. New York: ASU, 2003.

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