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  • Towards a Field Theory for Postmodernist Art
    Ascott, Roy. Towards a Field Theory for Postmodernist Art Leonardo 13, no. 13 (1980): 51-52.
  • Rejane Spitz
    Rejane Spitz is an Associate Professor and the Head of the Department of Art & Design at PUC-Rio University, Brazil. She was a Post-Doctoral researcher at CADRE-Laboratory for New Media /San Jose State University (California, USA) in 2003, and a
  • Catherine Ikam
    Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual
  • John Klima
    Ca. 1980, Brooklyn-based artist John Klima attempted to code a 3D maze on a TRS-80 with 4k RAM and failed miserably, but has been obsessed with 3D graphics ever since. Contracting for companies such as Microsoft, Turner Broadcasting, and Dun &
  • Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995
    Guasch, Anna María. Los manifiestos del arte posmoderno: textos de exposiciones 1980-1995. Madrid, Spain: Akal / Arte Contemporáneo, 2000.
  • Siggraph 1980 -
    Event: Siggraph 1980Institution: ACM SiggraphComment:
  • Ars Electronica 1980 -
    Event: Ars Electronica 1980Institution: Ars Electronica Linz GmbH & Co KGComment:
  • "Pornograms: 1980-1982" -
    Event: "Pornograms: 1980-1982"Institution: Laura Marsiaj Arte ContemporâneaComment:
  • Pornograms 1980-1982 -
    Event: Pornograms 1980-1982Institution: Henrique Faria Fine ArtsComment:
  • Allison Kudla
    Allison Kudla was born in the second month of 1980, her mother a preschool teacher, her father a college professor. At an early age she became interested in colorful floating patterns she saw in her room at night when she tried to sleep. She often
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