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  • Ars Electronica 1980 -
    Event: Ars Electronica 1980Institution: Ars Electronica Linz GmbH & Co KGComment:
  • "Pornograms: 1980-1982" -
    Event: "Pornograms: 1980-1982"Institution: Laura Marsiaj Arte ContemporâneaComment:
  • Pornograms 1980-1982 -
    Event: Pornograms 1980-1982Institution: Henrique Faria Fine ArtsComment:
  • Featured Artist Maurice Benayoun
    .. interested in the poetry and metaphysics of new technologies. He has created a series of award-winning works that probe the expressive power of new technologies to ask questions about the world ..
  • Mixed Media (1982 - 1984) -
    To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his
  • Catherine Ikam
    Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual
  • John Klima
    Ca. 1980, Brooklyn-based artist John Klima attempted to code a 3D maze on a TRS-80 with 4k RAM and failed miserably, but has been obsessed with 3D graphics ever since. Contracting for companies such as Microsoft, Turner Broadcasting, and Dun &
  • Biotechnologie und Kunst
    Weibel, Peter. Biotechnologie und Kunst In Technik und Gesellschaft: Symposium der Technischen Universita?t Wien, 24.-30. 8. 1980, Lech am Arlberg, edited by Manfred Schmutzer and Technische Universita?t Wien and Interdisziplina?res
  • Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
    Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
  • Confessions -
    Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
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