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The Photo-Based Work of Art in the Age of Digital Simulation
1997
Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
Creative Code
2004
Maeda, John. Creative Code. London: Thames&Hudson, 2004.
The In/Visible Domain
2009
Courchesne, Luc. The In/Visible Domain. Montreal: Ideaction, 2009.
Art Design and Beyond
2009
Courchesne, Luc. Art Design and Beyond In Re-thinking the Contemporary Art School, edited by N
SCA
D Pres
sHa
lifax: 2009.
Digital Debris in Internet Art: A Resi
sta
nce to the Epistemology of
Sea
rch in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images'
2013
Nils Jean. Digital Debris in Internet Art: A Resi
sta
nce to the Epistemology of
Sea
rch in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images' Ekphrasis Vol. 10, no. Issue 2 (2013): 212-221.
‘Totes Haus Ur or the Dislocation of Intimate
Spa
ce’
2010
Nils Jean. ‘Totes Haus Ur or the Dislocation of Intimate
Spa
ce’ Mute Magazine (October 2010).
‘An Experiment on Phenomenology and Bio-mapping’
2010
Nils Jean. ‘An Experiment on Phenomenology and Bio-mapping’ Mute Magazine (February 2010).
‘Digital Debris in Internet Art : A Metaphorical Resi
sta
nce to The Epistemology of
Sea
rch’
2014
Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resi
sta
nce to The Epistemology of
Sea
rch’ Prova 2, Royal College of Art Humanities Re
sea
rch Forum Journal , no. 2 (2014): 22-25.
‘Intervention’ catalogue e
ssa
y
2013
Nils Jean. ‘Intervention’ catalogue e
ssa
y Disruption Biennial RCA Re
sea
rch Exhibition book (January 2013).
‘Instructions’ catalogue e
ssa
y for Fieldwork 2
2012
Nils Jean. ‘Instructions’ catalogue e
ssa
y for Fieldwork 2 RCA Vi
sua
l Communication Re
sea
rchers Exhibition catalogue (2012).
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