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EDEN Echigo-Tsumari
2018
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2018
As we know, all vegetal species can communicate with its environment. Instead of words they use different kinds of molecular emission. The communication can be established between trees of the same species, but it can also be addressed to a
Artificial Changelings
1993
A romance thriller about shopping, Artificial Changelings is presented as an installation in which one person at a time uses body movement to interact with sound and images. Viewers can take turns either as particpants or spectators. The story opens
Análisis de la #EncuestaInsultarte por Nilo Casares
2015
Casares, Nilo. Análisis de la #EncuestaInsultarte por Nilo Casares http://www.insultarte.net/2015/04/analisis-de-la-encuestainsultarte-por.html.
Utopia
2014
Cubitt, Sean. Utopia In The Encyclopedia of Aesthetics, edited by Michael KellyOxford: Oxford University Press, 2014.
Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
CrypoMania
2017
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2017
The exhibition’s title, Cryptomania, is a composite of the word Crypto, a technological trend that expresses the encryption of private information as a reaction to the digital world that offers no privacy, and the word Mania, which expresses the
Matt Mullican
Matt Mullican is a artist use subjective cosmology strategies to represent the world and the human condition mainly in symbolical related forms . His work often take shape of immersive installations and make use of analog techniques and
Roy Ascott
2024
Moore, Lila. Roy Ascott In Bloomsbury Encyclopedia of New Media Art: History and Theory, edited by F Franco and C. Gere, 23. : London: Bloomsbury, 2024.
Roy Ascott
2025
Lila Moore and Edward Shanken. Roy Ascott In Bloomsbury Encyclopedia of New Media Art: History and Theory, edited by Gere C and F Franco, 23. : London: Bloomsbury, 2025.
montréal2000
2000
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2000
video
Video Videotape for one screen, 60 min., sound By using the own body as interface, the video work montréal2000 (created in the year 2000) gives continuity to the artistic strategy of implementing new forms of perception by intertwining real and
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