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  • Camouflage (Print) -
    Print on aluminium composite panel The temporary intervention 'Camouflage' was realised in 2012 on the Bielerhöhe in Tyrol. A row of flagpoles along a bus parking lot, which usually bear the multi-coloured national flags of EU states, now welcomed
  • Beatriz Albuquerque
    Beatriz Albuquerque lives and works between Porto and New York and is known for her interdisciplinary practices between multimedia performance and installation. She was selected by Flash Art magazine as one of the 100 most relevant international
  • A Brief History of Robotics
    Goldberg, Ken. A Brief History of Robotics In National Academy of Engineering Frontiers of Engineering Symposium, Irvine, CA, edited by National Academy of EngineeringIrvine, CA: 1999.
  • Shadows. The Depiction of Cast Shadows in Western Art
    Gombrich, Ernst Hans. Shadows. The Depiction of Cast Shadows in Western Art. London: National Gallery Publications, 1995.
  • Le Livre Imagina: 10 ans d'images de synthese
    Institut National de l'Audiovisuel, ed. Le Livre Imagina: 10 ans d'images de synthese. : INA-Publications, 1990.
  • Suzanne Anker
    Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.
  • Christopher Bauder
    Christopher Bauder (born 1973) started working in the field of interactive installation art after finishing his studies in the Digital Media Class at the Berlin University of the Arts. His projects focus on the translation of bits and bytes into
  • George Legrady - From Analogue to Digital: Photography and Inactive Media
    National Gallery of Canada and Ottawa Canadian Museum of Contemporary Photography, ed. George Legrady - From Analogue to Digital: Photography and Inactive Media. Ottawa, Canada: 1997.
  • Pat Badani
    Pat Badani (b. Argentina) draws from the fields of media art, science, and technology to explore the intersectionality of environmental and social issues. She often uses 'food' to create artistic arguments that blend aesthetics and criticism,
  • Australian Art in the National Gallery of Australia
    Gray, Anne. Australian Art in the National Gallery of Australia. Canberra, AUT: National Gallery of Australia, 2002.
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