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INTERMITTENT – a Generative Audio-Visual Installation.
2006
Grond, F. and C. Robles. INTERMITTENT – a Generative Audio-Visual Installation. Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag (2006): 128 – 131.
INTERMITTENT – a Generative Audio-Visual Installation.
2006
Grond, F. and C. Robles. INTERMITTENT – a Generative Audio-Visual Installation. Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag (2006): 128 – 131.
Net_Condition
1999
-
2000
Peter Weibel (Curator), Walter van der Cruijsen (Curator), Golo Föllmer (Curator), Johannes Goebel (Curator), Hans-Peter Schwarz (Curator), Benjamin Weil (Curator), Jeffrey Shaw (Curator)
FOOTNOTES on Geopolitics, Market and Amnesia
2007
25 february 2007 February 28, 2007: a press conference dedicated to the opening of the Second Moscow Biennale is to be held featuring introduction of curators and the press presentation of the Biennale Main Project display. The participants of the
BIOMORPH!
2011
-
2012
2011 Hans Arp Museum "BIOMORPH!" (27th May - 22nd January 2012) Hans Arp, Angelika Arendt -Jackie Brookner, Bonnie Collura, Tony Cragg, Jachym Fleig, Julie Hayward, Bodo Korsig, Gerhard Mantz, Maix Mayer, Laurent Mignonneau & Christa Sommerer,
Liquid Views
1997
Fleischmann, Monika and Wolfgang Strauss and Cristian A. Bohn. Liquid Views In Medien - Kunst - Geschichte., edited by Hans-Peter Schwarz, 108-109. : ZKM Karlsruhe und Prestel München, 1997.
The small infinite
2014
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2014
Event: The small infiniteInstitution: John Hansard GalleryComment:
A Touch of Code. Interactive Installations and Experiences
2011
Klanten, Robert and S. Ehmann and V. Hanschke, ed. A Touch of Code. Interactive Installations and Experiences. Berlin: Gestalten, 2011.
Bodies in Code: interfaces with digital media
2007
Hansen, Mark. Bodies in Code: interfaces with digital media. New York: Routledge, 2007.
Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies
2001
Hansen, Mark. Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies Critical Matrix: The Princeton Journal of Women, Gender and Culture 12, no. 1-2 (2001): 112-147.
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