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  • ... of narrative elements. For example, at some points in the script the same scenes are played but with different voice-overs. Because of these interchangeable relationships, the recollections of the Bailey, the Dancer, Investigator and Secretary...
  • ... play with one another inside a hybrid environment when they don't have hard, fast rules and can improvise everything: their voice, gesture and body? How do social conventions of play drive experience? The installation version of TGarden functions as a...
  • ... latter functionality signals the availability of close-up sequences within the global scene. Additional controls activate the voice-over commentary and offer a fast-forward function. © Jeffrey Shaw
  • ... to the gothic novel, a genre which helped give this piece its form and is itself the precursor of science fiction. The Voices: Freud: (1856 - 1939)`Austrian psychiatrist. Founder of psychoanalysis. Dora: A patient of Freud. Her case is documented...
  • OSMOSE - video
    ... in the immersant's location, direction and speed: the source of their complexity is a sampling of a male and female voice.
  • ... walls open cultural doors, and frontiers vanished to be virtually and quite physically in touch. Semantic chat, and voice recognition The voice of people all around the world tells where to go in order to meet. The semantically driven encounter is...
  • ... HMD enable viewers to hear and speak to one another from the three remote locations. The microphones are also linked to a voice-recognition system that allows viewers to interact with the environment using spoken commands. Conversations provides a shared...
  • ... by the custom made software. Familiar faces from CNN and other news channels appear on the screen and, in a monotone digital voice, present the findings from the Internet. In other words, the Internet contents are shoved into the mouths of TV stars. What...
  • .. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..
  • ... of a conversation with Robert and Christopher immediately following one of the performances. You’ll hear Christopher’s voice first, followed by the unmistakable percussive enthusiasm of Robert. For me, the best part of the interview was hearing them...