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  • GLOBALE: Without Firm Ground – Vilém Flusser and the Arts -
    ... to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before...
  • Euopean Media Art Festival 1990
    ... to see familiar works again and to perhaps rediscover and assess them anew, enabling prospects to be developed for the 1990s. ...
  • Featured Artist Maurice Benayoun
    .. interested in the poetry and metaphysics of new technologies. He has created a series of award-winning works that probe the expressive power of new technologies to ask questions about the world ..
  • PUBLIC DOMAIN -
    ... Copyright Stanza. The visitors to the gallery, are in fact assets. In this project I refer to the public as data. Visitors are...
  • House -
    ... ie, real time pure data from sensors and using the data as assets, to make an audio visualization of the real house. House is...
  • Keep Hope Alive Block Party -
    ... of the very few, but the many have a handful of remaining assets to give us pleasure, and at the KHABP we shall indulge in them...
  • Digital Mudra -
    ... own evaluation of their biorhythm condition against a computer assessment of their emotional/physical state, were asked to express...
  • NAKED EYE
    ... a specific symmetry. The paintings do not represent material assets, they cannot be taken down and carried away, yet still, they...
  • Robo Topobo -
    ... button and then pressing one of its four “playback” buttons to assign the motion to that button. He can also play the motion backwards...
  • Infinity Divided by Sixteen video
    ... recorded by Harry de Wit for this work. Each sound track was assigned to a specific position on the screen, and the volume of each...
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