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...The Schkolne Number is a dimensionless quantity representing the ratio of ones height to that of Steven Schkolne. (source: http://schkolnenumber.com/)

... Two of Hildegard's hymns in Latin and English with links to source manuscripts with chant notation may be found at: http://www.irupert.com/HILDEGRD/hildetext.htm. For a Hildegard biographical see: http://www.newadvent.org/cathen/07351a.htm

... by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place. (Source: http://www.hayward.org.uk/decon_newsite/press_archive_detail.asp?s=21&i=239)

... voices. I am also interested in how the audience may choose a path through this physical yet virtual space. (source: http://www.tate.org.uk/liverpool/exhibitions/janetcardiff/)

... and sound illussion is made perfect and has the effect that the viewer starts to daubt on their own cognition. (source: http://www.galerieimtaxispalais.at/ausstellungen/konstruktion/konstruktion_progindex.htm)

... action of the viewer. Through touching the table the viewer activates different voices coming out of the table. (source: http://www.ruhr-uni-bochum.de/kgi/projekte/rezensio/talkshow/2/talk2.htm )

... egaku allows users to overlay multiple digital translucent images to compose and compare different designs. (Source: http://tangible.media.mit.edu/projects/egaku/)

... would move around you in addition to responding to your movement. Reflexions always had a visual component. (source: http://homepage.mac.com/davidrokeby/reflex.html)

... and psychological interest: the unstable relationship between what seems real and what is. (source: KEN JOHNSON http://query.nytimes.com/gst/fullpage.html?res=9A00EFDD143CF931A25757C0A9649C8B63)

... a hyper-reality where the script or story becomes dislocated from the screen and aggresses towards the viewer. (source: http://www.zkm.de/futurecinema/cardiff_werk_e.html)