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  • George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film"
    Dreidger, Sharon Doyle. George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film" Maclean´s 114, no. 52 (December 2001): 38.
  • Google Will Eat Itself (GWEI) - Hacking Monopolism Trilogy -
    "In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we
  • Re: Dakar Arts Festival video
    The Re: Dakar Arts Festival project documents an ongoing art scam form. The scammers approach artists and galerists with open calls for a fake festival in Dakar, Senegal. To appear professional, they adopt different identities. To unveil their
  • The Berlin Files -
    "You're sitting in a bar. You pull out a book that you just bought to look at, a collection of short stories. Flipping through it you stop on a paragraph describing a dark street in Berlin, a woman in a red dress walks out of a doorway towards
  • Legible City Prototype
    This interactive installation was first shown at the Bonnefanten Museum, in Maastricht, where its apparatus was a CRT monitor and a custom-designed joystick. For this work the authors researched the conceptual and aesthetic paradigms of the Legible
  • Janet Cardiff
    Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • Janet Cardiff: Forty-Part Motet -
    The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.
  • Cardinal Directions video
    "Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
  • Mestizo Technology: Art, Design, and Technoscience in Latin America
    Badani, Pat and Paula Gaetano Adi and Gustavo Crembil and Tania Aedo and Diana Domingues and Eduardo Castillo and Pedro & Prado de O. Martins Vieira de Oliveira and José-Carlos Mariátegui and Heber Rodriguez and Luis Fernan Median Cardona, ed.
  • Sounds [That] Are Not. Is there any time left?
    Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for
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