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... Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and genetic programming are implemented in those forms or "creatures",...

... with each other through evolutionary forms and images. "Life Spacies" enables visitors to integrate themselves into a 3 dimensional complex virtual world of artificial life organisms that react to the visitors body movement, motion and gestures. The...

... user can choose to write text messages and each of these messages functions as a genetic code to create a visual three-dimensional form. A special text-to-form editor ensures the genetic encoding of text characters (=letters) into design functions. It...

... than illustrate and is derived from Davies' previous work as a painter. The sounds within Osmose are spatially multi- dimensional and have been designed to respond to changes in the immersant's location, direction and speed: the source of their...

... inside a cylindrical space, which is constructed out of wood panels that resemble a theater set. The user interface, a three dimensional spatial tracking device, can be moved around inside a clear plexi-glass replica of this cylindrical enclosure, and images...

... to inflate these balloons and so control the shape of the projection surface. Smoke was also used to create another three-dimensional continuum for the projected image as it passed from one screen surface to another. This installation extended out into the...

... Corpocinema dematerialised the opaque flat projection surface of traditional cinema by creating instead a transparent three-dimensional volume within which the cinematic image could be reconstituted in an equivocal and immediate way. The specific physical...

... injection of smoke. The intention of this work was to transform the conventional flat cinema projection screen into a three dimensional kinetic and architetonic space of visualisation. The multiple projection surfaces allowed the images to materialise in...

...Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience. The action of the work was controlled by one member...

...Points of View III - A Three Dimensional Story explored the notion of an open artwork by inviting sixteen people to make narrative contributions which were then interactively linked to the visual scenography so that the viewer could navigate between the parallel...