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Exploded Views 2.0
2013
-
2013
... one interactor at a time
app
roaches the huge projections... 2.0 consist of point
cloud
s generated from huge Web...
EMOTIONS IN SPACE
2014
... cities. They seem to es
cap
e the atmosphere to spread in... logic of interaction,
app
reciate the performativity of... In this interactive work,
cloud
s of the world’s emotions...
EMOTION WINDS
2014
video
... cities. They seem to es
cap
e the atmosphere to spread in... logic of interaction,
app
reciate the performativity of... In this interactive work,
cloud
s of the world’s emotions...
The Magic Flute
2007
-
2007
... Houston, Los Angeles and
Cap
e Town, and one in Europe in...
ADA_ArtistInterview_ElkeReinhuber.pdf
... possibilities to
cap
ture and represent wavelengths... shifted fromthe exe
cut
ing artist to the director,... with the more
app
ropriate termSynthography. And... I am not a friend of the ‘
cloud
’ and use online storage only...
Featured Artist Victor Acevedo
02/2022
... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
Featured Artist Elke Reinhuber
03/2022
Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.
Victor Acevedo
... his reading of Fritjof
Cap
ra's book 'The Tao of Physics'... works primarily on the
App
le Macintosh platform. He has...
Featured Artist kondition pluriel
02/2024
kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
... in which sound has the
cap
acityto bend and curve... installations with
cut
ting-edge technology and... at the University of
App
lied Arts inVienna. Kusch’s... And these “word
cloud
s”, as we called them, had an...
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