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... apperception and representation via the procedural visual formations first developed for Utopia Triumphans (2002). © Jeffrey Shaw

Another type of Airground which resembled a large mattress, its upper and lower surfaces held together by interior ties.

... the megapixel-resolution spherical, panoramic images of this fort that its interaction paradigm requires. © Jeffrey Shaw

A computer-programmed lighting installation articulated the neo-classical features of the Felix Meritis building. Transparent acoustic panels allowed the public to listen to music emanating from the walls of the building.

Long lengths of polythene tubing were buried in the sand at a beach in the Camargue in France. This tubing was then slowly inflated so that it gradually rose up and erupted out of the sand.

The film Continuous Sound and Image Moments (1966) was projected onto a live performance of professional female mud wrestlers.

A row of three large parachutes were fixed around their perimeter to the floor and continuously inflated with air. A light bulb above each parachute was the only illumination in the installation, and they were individually activated by the pitch and

A large steel ball hangs from four cables and motorized pulleys within the atrium of this building. Connected to the center's computer network, anyone working there can interactively program its movement paths.

A sequence of photographs was taken of people using the central staircase in the Stedelijk Museum. This scene was then virtually re-constructed by projecting these images full-scale onto two contiguous projection screens - one hanging vertically on

For this installation an augmented-reality apparatus was made where the viewer could rotate and tilt an optical system attached to a monitor, so that various simple computer-generated objects could be seen floating in different locations in the real