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Esteban Garcia Bravo
Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
Forget the flâneur
2013
McGarrigle, Conor. Forget the flâneur In Proceedings of the 19th International Symposium on Electronic Art, edited by K. Cleland and L. Fisher and R. HarleySydney: ISEA
2013
,
2013
.
Tweetopia
2016
Tweetopia are data-scrolls, documenting the passing of time, through minute changes in a fixed structure, using data from the evolving DiGi-FLiP project @jtwinedotcom on the micro-blogging site Twitter over the course of three years from
2013
to
Illegal Art and Other Stories
2013
Lodi, Simona. Illegal Art and Other Stories In Unlike Us Reader: Social Media Monopolies and their Alternatives, edited by Geert Lovink and Miriam Rash, 250-251. Amsterdam: Institute of Network Cultures,
2013
.
The Algorithms of Our Lives
2013
Manovich, Lev. The Algorithms of Our Lives The Chronicle of Higher Education (DECEMBER
2013
).
SulSol
2013
... Exhibition Catalogue (
2013
).
This is not Art: Activism and Other 'Non-Art'
2013
Jelinek, Alana. This is not Art: Activism and Other 'Non-Art'. London: I.B. Tauris,
2013
.
Homeostasis Lab
2013
The Homeostasis Lab is a virtual platform dedicated to mapping, cataloguing, researching and exhibiting digital art on the internet. Since
2013
, the lab has been run by a collaborative open-system network of artists, programmers, curators and
Nouveaux terrains d’apparition
2013
Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles:
2013
.
Robin v02
2013
-
2013
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created:
2013
This is a still image from one of Acevedo’s
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