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  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • McGarrigle, Conor. Forget the flâneur In Proceedings of the 19th International Symposium on Electronic Art, edited by K. Cleland and L. Fisher and R. HarleySydney: ISEA2013, 2013.
  • Tweetopia
    Tweetopia are data-scrolls, documenting the passing of time, through minute changes in a fixed structure, using data from the evolving DiGi-FLiP project @jtwinedotcom on the micro-blogging site Twitter over the course of three years from 2013 to
  • Lodi, Simona. Illegal Art and Other Stories In Unlike Us Reader: Social Media Monopolies and their Alternatives, edited by Geert Lovink and Miriam Rash, 250-251. Amsterdam: Institute of Network Cultures, 2013.
  • Manovich, Lev. The Algorithms of Our Lives The Chronicle of Higher Education (DECEMBER 2013).
  • SulSol
    ... Exhibition Catalogue (2013).
  • Jelinek, Alana. This is not Art: Activism and Other 'Non-Art'. London: I.B. Tauris, 2013.
  • The Homeostasis Lab is a virtual platform dedicated to mapping, cataloguing, researching and exhibiting digital art on the internet. Since 2013, the lab has been run by a collaborative open-system network of artists, programmers, curators and
  • Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.
  • Robin v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2013 This is a still image from one of Acevedo’s