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  • Snap-to-Grid: A User´s Guide to Digital Arts, Media, and Cultures
    Lunenfeld, Peter. Snap-to-Grid: A User´s Guide to Digital Arts, Media, and Cultures. Cambridge, MA: MIT Press, 2000.
  • Art, Technology Consciousness: Mind@Large
    Ascott, Roy. Art, Technology Consciousness: Mind@Large. Bristol, UK: Intellect Books, 2000.
  • Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy.
    Brown, Richard. Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy. Leonardo 33, no. 1 (April 2000).
  • GFP Bunny
    Becker, Carol. GFP Bunny Art Journal 59, no. 3 (Fall 2000).
  • Alba, arte transgenica, arte del vivente
    Capucci , Pier Luigi. Alba, arte transgenica, arte del vivente Noema - Tecnologie e Societá (2000).
  • Where Dogs Run
    Formed in 2000. Participants: Natalia Grekhova, Alexey Korzukhin, Olga Inozemtseva, Vladislav Bulatov Where Dogs Run is the name of an enthusiastic Russian artists’ collective from Yekaterinburg in the Urals, they use multimedia techniques for
  • Johanna Dombois
    Born in 1967 in Berlin is an opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998), State theatre
  • Dave Everitt
    Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
  • Tracking The Net, Interactive Art
    Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: 2000.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
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