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Anonymous Real-Time
2017
-
2017
video
... In April 2021, an excerpt of this p
iec
e was featured in Victor Acevedo’s first...
Sonifications of Global Environmental Data
2016
Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press,
2016
.
Minimal difference and modern mimesis
2016
... besede/Art Words. Ljubljana: ZDSLU 103 (
2016
).
/source/ (postfactual)
2017
-
2017
Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
Jodi’s Infrastructure
2016
Alexander R. Galloway. Jodi’s Infrastructure http://www.e-flux.com/journal/74/59810/jodi-s-infrastructure/ [e-flux journal#74, June
2016
].
Real Time. Art en temps real
2016
-
2016
Real Time. Art en temps real Arts Santa Mònica 28.01 – 10.04.
2016
Artists: Guillem Bayo, Clara Boj i Diego Díaz, Martin John Callanan, Grégory Chatonsky, Thierry Fournier, Varvara Guljajeva i Mar Canet, Rafael Lozano-Hemmer, Nicolas Maigret, Katie
Orbital Remix s01
2016
-
2016
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created:
2016
This is a still image from Acevedo’s Electronic
Electronic Samuel Beckett: Cochlear Samuel Beckett
2016
Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor,
2016
.
Diver: a cyber-kinesthetic installation
2016
Kusch, Martin and Marie-Claude Poulin. Diver: a cyber-kinesthetic installation In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by Katharina Gsöllpointner and Ruth Schnell and Romana Schuler, 114-117. Berlin: De
The virtual thematic route : from experience to infinity.
2016
... of new media, technology and the arts 11 (
2016
): 1-12.
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