Archive Search

  • Preliminary documentation of "Through the Vanishing Point" by David Rokeby and Lewis Kaye. The exhibition was presented at the University of Toronto’s McLuhan Program in Culture and Technology (commonly known as the Coach House) for the
  • Polo, Marco, ed. THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley. Toronto: Coach house Books, 2006.
  • McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
  • McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
  • http://ugi-heal.me/ -
    Find your own Universal Health We are the only major pharma corporation to have emerged in the 21st century. We are corporate futurists. Our capabilities are unlimited. We are good. We and you and your health are one with the universe. We
  • Corpocinema -
    The Corpocinema ('corporeal cinema') was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The basic structure was a large air-inflated transparent PVC dome onto which film
  • This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual
  • Solve et Coagula is primarily an attempt to give birth to a new life form: half digital, half organic. Through a multisensorial, full duplex sensory interface the installation networks the human with an emotional, sensing and artificially
  • The powerful social aspect of Sermon’s work is visualized in the site-specific installation A Body of Water (1999), created for the exhibition Connected Cities, which has an atmosphere that borders on the eerie. In a chroma-key room set up in
  • The project takes on two forms - the installation in an old mine in Dortmund: Zeche Zollern II/IV and the online version. The site-specific installation is experiential with sound taking on an important role. Spatialized sound is triggered by