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  • ...Gilmore, Alison. "Memory Tracks" Border Crossings 14, no. 2 (Spring 1995): 53-54.
  • ...Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • ...Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • ...Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • ...Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • ... amplifier and tape deck. Sixteen sound tracks were composed and recorded by Harry de Wit...
  • ... - TO GOVERN/TO DIRECT WHAT IS SAID TO TAKE POSSESSION - TO GIVE TO BE WITHOUT (NOT... The structuring of specific sound tracks was also an integral aspect of this...
  • ... respect to the changing spatial positions taken by the viewer. Here again an intrinsic... conceptual relationships. Sixteen sound tracks - mostly spoken texts - were interactively...
  • Watched and Measured -
    ..."Watched and Measured" is a system that observes, tracks and catalogues people walking through the new...
  • ...Runtime animation in which the visual and sound tracks function independently and complementarily in...