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Huhtamo, Erkki. Time Machines in the Gallery: An Archeological Approach in Media Art In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas McLeod, 232-268. Cambridge, MA: MIT Press, 1996.

Hayles, Katherine. Narratives of Artificial Life In Future Natural, edited by Jon Bird and Lisa Tickner and George et. al. RobertsonLondon: Routledge, 1996.

ZKM Karlsruhe, ed. Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie.
Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997. Ostfildern-Ruit: Hatje Cantz, 1997.

Baumunk, Bodo-Michael and Jasdan Jörges. Sieben Hügel: Bilder und Zeichen des 21. Jahrhunderts. Vol.1-7. Berlin, DE: Henschel Verlag, 2000.

Wirths, Axel and Gerard Goodrow and David Dunn. Der elektronische Raum: 15 Positionen zur Medienkunst. Ostfildern-Ruit: Hatje Cantz Verlag, 1998.

Huemer, Markus. Sein zum Bild, Sei(n) im Bild. Zu den Arbeiten von Jeffrey Shaw In Der elektronische Raum - 15 Positionen zur Medienkunst, edited by Bonn Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 218-225. Ostfildern-Ruit: 1998.

Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon and Schuster, 1997.

Helmreich, Stefan. Silicon Second Nature: Cultivating Artificial Life in a Digital World. Berkeley, CA: University of California Press, 1998.

Iglhaut, Stefan and Hubertus v. Amelunxen and Florian Rötzer. Photography after the Photography. London: G and B Arts International, 1996.

Ito, M. and Scott.S. Fisher. Circulating Images of Virtual Systems: Trodes, Gloves and Goggles
in Scientific and Popular Cultures In Stereoscopic Displays and Virtual Reality Systems IV, edited by Scott S. Fisher and M.T. Bolas and J. O....