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Benayoun, Maurice. Paradigmes artificiels Technicart (1997).

Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.

Tenhaaf, Nell. Neonudism Parachute 85 (Jan/Feb/March 1997): 12-15.

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.

Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological
era. Newport: University of Wales, 1997.

Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée
par la technologie Sarazine 4 (1996).

Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles
de Meaux Cultures en Mouvement , no. 15 (March 1999).

Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.

Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.

Ascott, Roy. Technoetic Connectivity In Internet Art between Interacitvity, Void and Dis-Authorization, edited by N. Vlic, 63-67. Skopje: Soros Center for Contemporary Arts, 1999.