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  • kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of...
  • LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress...
  • I am a New Zealander based in Berlin. I've been active in the critical intersection of art and technology since 1998. My projects and the occassional paper have been presented at many museums, international electronic-art events and conferences,...
  • PLANCTON was founded in the 1994 by a group of three artists (Annunziato, Pierucci and Gemma de Julio) and started the activities with a series of artworks and experiments on expressive languages based on the fusion of different media (video, music,...
  • 2010.04 -> 2010.08 EL PROCESO COMO PARADIGMA . LABORAL . GIJON . SPAIN
    [installation ADM /MLP v5]

    2010.04 ENTRE TU Y YO . LA TABASCALERA . MADRID . SPAIN
    [Installation ADM /MLP v5]

    2010.02 d-CLIC . GOETHE INSTITUT . DAKAR . SENEGAL
    ...
  • SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between...
  • Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the...
  • Dinkla, Söke and Christoph Brockhaus. Connected Cities: Kunstprozesse im Urbanen Netz. Ostfildern-Ruit: Hatje Cantz, 2000.
  • Daniels, Dieter and Rudolf Frieling. Medien Kunst Interaktion. Die 80er und 90er Jahre in Deutschland. Wien, New York: Springer, 2000.
  • Shanken, Edward. Life as We Know It and/or Life as It Could Be: Epistemology and the
    Ontology/Ontogeny of Artificial Life Leonardo 31, no. 5 (October 1998): 383-388.