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casares, nilo, ed. TrashMedia. Vol.1. 1ª th ed.valencia: Consorci de Museus de la Comunitat Valenciana; Direcció General de Promoció Cultural, Museus i Belles Arts de la Generalitat Valenciana; S AA Purgatori y RedArte, 1998.

Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.

Gillman, Clive. Advent (Electric Art). London: Ellipsis, 1999.

Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000....

Zielinski, Siegfried and Hans Ulrich Reck and Thomas Hensel, ed. Decodieren von Subtexten. Erforschung a-logischer Strukturen. In: Lab - Jahrbuch 2000 für Künste und Apparate, 2000 th ed.Cologne, Germany: Verlag der Buchhandlung Walter König, 2000.

World Wide Video Festival, ed. World Wide Video Festival, Catalogue 16th. Vol.16th. 2000 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 2000.

World Wide Video Festival, ed. World Wide Video Festival, Catalogue 14th. 1996 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 1996.

Bosma, Josephine. Interview with Heath Bunting https://www.heise.de/tp/features/Interview-with-Heath-Bunting-3446062.html [05.07.2017].

Wilson, Ian. Shakespear: Unlocking: The mysteries of the man and his work. New York: St. Martin's Griffin, 1999.

Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.