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Framing memory: return to the zone 2018

Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.
Father-land 2018

Moore, Stuart and Kayla Parker. Father-land Layers of Visibility (October 2018): 79 to 90.
Armin Linke, The Appearance of That Which Cannot be Seen 2017

Ziegler, Philipp and Andreas Beitin and Bader Joerg, ed. Armin Linke, The Appearance of That Which Cannot be Seen. Leipzig: Spector Books, 2017.
Musik und Medien. Vom Klang im technischen Zeitalter 2016

Weibel, Peter. Musik und Medien. Vom Klang im technischen Zeitalter. Vol.2. Enzyklopädie der Medien, Berlin: Hatje Cantz, 2016.
Conversations in Art & Social Justice: Discourses on critical contemporary issues 2019

Weinberg/Newton Gallery. Conversations in Art & Social Justice: Discourses on critical contemporary issues https://soundcloud.com/weinbergnewtongallery.
A Cautionary Tale of Urban Media Art: Media-Bait, Planned Censorship and its Repercussions 2018

Park, S. L. and M. Benayoun. A Cautionary Tale of Urban Media Art: Media-Bait, Planned Censorship and its Repercussions Leonardo Journal (2018).
Quarxs, 90s 2016

Benayoun, M.. Quarxs, 90s Animamix Biennale 2015-6 (2016).
Who and What are the Quarxs? 2016

Benayoun, M.. Who and What are the Quarxs? POST PIXEL.Animamix Biennale 2015-6 (2016).
Overscale Art in Public Space: from Play to Dysplay 2016

Benayoun, M.. Overscale Art in Public Space: from Play to Dysplay ISEA2016 (2016).
Memory Dump, the Disregarded Power of Undone Art 2016

Benayoun, M.. Memory Dump, the Disregarded Power of Undone Art ISEA2016 (2016).

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