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Pearlman,Ellen and Suzy O'Hara. Art-A-Hack ™ In Art Hack Practice: Sites For Artistic Co-Production, edited by Victoria Bradbury-: Routledge, 2018.

Pearlman,Ellen. Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews. February.

Pearlman,Ellen. 3D Opera PAJ (Performance Arts Journal),MIT Press (January 2018).

Pearlman, Ellen. The Approaching Storm Open Fields, Virtualities and Realities, Acoustic Space Journal 18 (2018).

Pearlman,Ellen. Noor: A Brain Opera Worlding the Brain Symposium (November 2017).

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

Polli, Andrea. Hack the Grid. Pittsburgh: Carnegie Museum of Art, 2018.

Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.

Albuquerque, Beatriz. Critical Techniques: Theater Exercises for the Classroom In Art School Critique 2.0, edited by Richard JochumNew York: Teachers College, Columbia University, 2017.