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... to her own body characteristics. The collected data information is then used to generate artificial life creatures that can feed on these color values provided by the users video image.

... show the digitality of these images. The information contained in them becomes obsolete as their only function left is to feed the graphic animation with data we can no longer understand. Napier's work addresses questions of our Information Age by...

... referring to the ever-growing arrays of CCTV equipment in a tropical garden-city. A projection displays the camera’s live-feed, according to the choice of the spectator. The work consists of a surveillance camera at the edge of a mirror-clad triangular...

... image of a 7 nanometer scan of a silver substrate from the Atomic Force Microscope (AFM) that acts as a filter for a live camera feed image of the viewer’s portrait. Each viewer’s real-time reflected analogous portrait is mathematically mapped to photon’s spin...

... of how it transforms what each person sees through it. Two video cameras facing out from the screen provide live video feed of passers-by on both sides. Approaching the Membrane, you see a video of people on the opposite side re-projected onto the...

... as the key-image on top of the camera image from the ZKM location as the fill-image. The final chroma-keyed images are then feed to each set of four monitors independently from the chroma-keyers in both locations. Eight draws around the edge of each table...

... properties, Nano-Scape tries to make this Nano-world intuitively accessible through touch. A wireless magnetic force-feedback interface allows users to touch invisible nano particles, creating an every changing invisible sculpture which modifies its...

... wasn’t yet the Internet icon it has become and I was sure that my piece would disappear very soon since it lives on Google and feeds itself from Google’s database like a vampire. Hence this piece was supposed to have a doubly ephemeral aspect: first because each...

... and a digital 3D virtual model of this sculpture that is projected onto a wall. This virtual model provides audio and visual feedback of users’ interaction with Cubey 1.0’s physical cubic sculpture. Both the audio and visual feedback from the Cubey 1.0 are...

... prepares it to expend new 15 images. In this moment, the piece takes a picture of the person who is in front of, making a feedback or giving and receiving visual information. The piece talks about how the new technologies are avoiding us to to discover...