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... screen they find themselves in a darkened space filled with fog and subtle noise. A series of images are projected onto the floor using the same graphic markers that inhabit the surface of the screen on the other side. A strobe is pulsed at intervals of 100...

... measure between 2 to 25 metres high, depending on how far people were from the powerful light sources placed on the floor of the square. A custom-made computer vision tracking system triggers new portraits as old ones are revealed. ------ Video:...

... game of anamorphosis is transmuted into its own readable universe by means of electronic media. The video projection on the floor shows a distorted pan shot capturing a mountain panorama. The projection is superimposed by non-distorted topographic heights....

... on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this situation was connected to a computer in the second room. Here a large video- projection showed...

... -- in one room rows of white chairs rise and fall in waves as you pass by, in another, projected images emerge from the floor in response to where you stand. Lozano-Hemmer's interactive approach is summed up most spectacularly in an installation called...

... human-machine interaction through the movement of the human body on a weight sensor platform. The performer stands on the a floor plate and navigates a virtual 3D environment with simple weight shifts and movements. The platform's weight sensors detect...

... Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored...

... instructions encouraged participants to disclose secrets into a microphone. Their mute video was displayed on the dance floor, while their (effectively anonymous) audio was piped elsewhere throughout the club for others to hear. The cube was in constant...

... not the drawings it makes: the collector or curator may give these drawings away, they may exhibit them as a pile on the floor or hang them neatly on the walls.

... In front of the third real door, a pre-production of a painting by surrealist painter Dorothea Tanning is lying on the floor. This painting is projected by a B&W camera onto a monitor behind the keyhole. "Original" and copy, evident and secret presence...