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... Mom is still pensive, Dad still watches TV, and the daugther is curious. Displacements 2005 was shot and projected in digital video rather than 16mm film, which, it turns out, was much more challenging.

... camera pointed at this situation was connected to a computer in the second room. Here a large video- projection showed a digitally processed version of the performance. The image processing was characterized by its very slow frame-rate and the reduction...

... the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. The Narrative Landscape is constituted by twenty-eight images that are...

... walking towards the screen interactively controlled a sequence of transformations in the image and sound. The sequence of digitally processed images was derived from works by Yves Klein (Portrait Relief Arman), Nagisa Oshima and Hieronymus Bosch. A...

... sacred geometry, hermetic geography, and the creation of fictional worlds in art and literature. 3D image synthesis, digital image processing and digital post production techniques were used extensively in these visual sequences.

... pixels of the original images and then anamorphically reconfigures them in a virtual three-dimensional space. This digital tromp l'oeil characterises the awesome contemporary view down from space which inverts the ecstatic Baroque gaze up to...

... is directed at the face of the spectator who is looking down at the monitor. This camera is connected to a computer which digitally processes the incoming signal in real time so that the processed image of the spectator face is seen directly on the...

... pixels of the original images and then anamorphically reconfigures them in a virtual three-dimensional space. This digital tromp l'oeil interpolates the awesome contemporary view of planet Earth photographed from space with the ecstatic Baroque...

... the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie was done with Ikograph, a 3D software written...

... screen. These screenshots were shown in our exhibition "Hidden Lines" at the Werkbund Gallery in Berlin. The essence of the digital metamorphosis "Between 0 and 1" is to challenge fixed positions and invite the viewer into a fluid state of interaction with...