Archive Search

... each table at a 45° oblique view to the table. The first table is located on the first floor of the ZKM Medienmuseum Salon Digital, surrounded by four monitors. The second table site is situated in a remote location, also surrounded by four monitors - apart...

... and half-sentences, words and syllables through our movements’. (Schulze 2005) The participants' area- an empty room and a digital stage on the Internet are connected via optical tracking. Real and virtual space are superimposed, the movement of the visitors...

... camera pointed at this situation was connected to a computer in the second room. Here a large video- projection showed a digitally processed version of the performance. The image processing was characterized by its very slow frame-rate and the reduction...

... walking towards the screen interactively controlled a sequence of transformations in the image and sound. The sequence of digitally processed images was derived from works by Yves Klein (Portrait Relief Arman), Nagisa Oshima and Hieronymus Bosch. A...

... sacred geometry, hermetic geography, and the creation of fictional worlds in art and literature. 3D image synthesis, digital image processing and digital post production techniques were used extensively in these visual sequences.

... pixels of the original images and then anamorphically reconfigures them in a virtual three-dimensional space. This digital tromp l'oeil characterises the awesome contemporary view down from space which inverts the ecstatic Baroque gaze up to...

... is directed at the face of the spectator who is looking down at the monitor. This camera is connected to a computer which digitally processes the incoming signal in real time so that the processed image of the spectator face is seen directly on the...

... over the last 200 years worldwide. These images - all originally created for An Imaginary Museum of Revolutions (1988) - are digitally processed collages made from documentary photographic sources.

... Gate uses the original video material of this work, but presents it in a somewhat different viewing situation. By means of digital post-processing this video material has been anamorphically deformed, and is projected onto a screen in the center of which...

... Mom is still pensive, Dad still watches TV, and the daugther is curious. Displacements 2005 was shot and projected in digital video rather than 16mm film, which, it turns out, was much more challenging.