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  • ... sacred geometry, hermetic geography, and the creation of fictional worlds in art and literature. 3D image synthesis, digital image processing and digital post production techniques were used extensively in these visual sequences.
  • ... on the future of work, education, democracy... Provides reflections and visions, both utopian and dystopian, about the digital transformation of our society. Find more information about this work under the following links:...
  • ... is made of a half-spherical structure and of an evolutionary device wich makes man, image and sound interact thanks to digital tools. SphèrAléas is ideal for collective performances. It's a safe space of oneiric creations in which the public creates,...
  • ...efers to Vilém Flusser´s ‚Technobildern‘, a philosophy of photography as a new form of communication. Mixing live performance and digital animation, Banz & Bowinkel seek to define the perceptual parameters which depend on the union of the real and virtual. ‚Daemons‘ is...
  • ... perceive our presence in these distinct spaces and who has the authority to post our portraits? The blurry quality of the enlarged digital images gives people a spectral quality, turning them, in Cirio’s words, into “a digital shadow haunting the real world”."- -...
  • ... singing bowl filled with milk was transformed into sound and images. The imagery then projected onto a screen are abstract digital graphics, which are originally images of nuclear explosions and radiation burns. Pearlman and Molochevski portray the balance...
  • ... and rings (zero). This reduction is in reference to the basic binary logic of one and zero or ON and OFF which underlies all digital computations. The “Reflections” series culminates a decade of research into the phenomenological nature of visual perception....
  • POPUREVE - video
    ... the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie was done with Ikograph, a 3D software written...
  • ... walking towards the screen interactively controlled a sequence of transformations in the image and sound. The sequence of digitally processed images was derived from works by Yves Klein (Portrait Relief Arman), Nagisa Oshima and Hieronymus Bosch. A...
  • The Trace - video
    ... movement of the participants. Two interactive stations are needed for the piece; these are interconnected with a normal ISDN digital line so they can be in the same exhibition hall, on either side of a city or in different cities.