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  • ... an evolutionary device wich makes man, image and sound interact thanks to digital tools. SphèrAléas is ideal for collective performances. It's a safe space of oneiric creations in which the public creates, handles, juxtaposes, superimposes sonorous, pictural...
  • ... with a grant from the Canada Council. It was premiered at Open Ears in Kitchener in May of 2009. In “Surface Tension”, Eve’s performance at the keyboard of a disklavier (an acoustic piano with a computer interface) is transformed and interpreted by a computer into...
  • ... a series of gears and plates that animate the puppets and move a background diorama to create a one-minute shadow theatre performance. Sustainable Cinema is a series of kinetic public sculptures that merge natural power sources with early optical...
  • ...This piece is part a sculptural object, and part a performance work. A Calchaquí loom was used to knit a long piece of textile were electronic components to play and record sounds were embedded into. Spectators of the performance were invited to sit next the artist and...
  • ...Duke Performances, Durham, 2018 - world premiere A bold new opera developed at Duke University that uses the high-drama framework of opera and advanced technology to explore ideas of apocalypse, renewal, and survival in the modern age. During each performance, a...
  • ...Marcello Mercado transferring, storing, sharing and hybriding: The perfect humus, 2010 Hybrid-DNA-Performance-Bio-installation, 16'23", stereo 4:3 color http://vimeo.com/37691031 Information culled from digital archives, the human genome, satellite feeds, and data...
  • Underscan - video
    ... filmed over 250 additional recordings. As people were free to portray themselves in whatever way they desired, a wide range of performances were captured. In the installation, the portraits appear at random locations. They “wake-up” and establish eye contact...
  • ...lgorithmic agency, artificial life, virtual communities, human computer interaction, augmented virtuality, mixed reality and multimedia performance to engage ‘the body’s primordial inscriptions’. It locates Beckett’s society of ‘lost ones’ in a virtual space that...
  • ... our behavior that is not part of the purpose of a navigation system: It evokes a sense of movement and stimulates a physical performance. It is as if we dance as we walk, something we rarely do. Virtual Balance (1994) was a body-centered navigation platform....
  • ... (SWF) in 1995, Fleischmann and Strauss conceive a broadcast with audience participation. With their teams they realize the performance and the corresponding digital set design for the virtual stage. For the live production of the show, the signals from the...