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... not presuppose that we have to define the concept of "pure form of pleasure". The Pleasure Machine is not a mechanical device...

... creates the VR space, consisting of molecules and molecular formations, via their eye movements. The space can be navigated simply...

... This suggestion was non-logo-centric. It was embodied in the form of the physical interface itself and reinforced through...

... touches on words, they are subsequently spoken. Small video icons are called up that register the potential to trigger related...

... image could also be explored where a participant could move forward, backward, stay still, as well as move fast forward and fast...

... voice, delivering the text in either spoken or sung form. Two significant installations were produced - Water Wheel...

... There is no hierarchy in the ordering of decisions. And the icons were made often of cut off and dislocated body parts such as a... identification is established and surrogate decisions are made for LORNA. The telephone was LORNA'S link to the outside world....

... It's fascinating to be able to capture invisible forces and control physical phenomena when we define the "life" of the...

... and down the topographies of the virtual landscape, we search for food, we go faster and faster because of the heat among other...

... and immaterial, presence and absence are aesthetic problems for the visitor that in his mind can live these passages. The floor is...