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Die Tanzen und die Toten
1983
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1983
video
Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
Positionen
1997
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1997
video
PositionenArtist: Ruth SchnellComment:
Punching Ball
1989
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1989
video
Video sculpture A monitor is hung up with rubber bands and steel spirals, and thus installed as a punching ball in the exhibition space. A video shows the world globe seen from orbit. The globe rotates and passes through a process of resolution and
Tür für Huxley
1989
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1989
video
Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating
Curvature
2015
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2015
video
Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived
Reel
2017
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2017
video
ReelArtist: Claudia Robles-AngelComment:
Koffer
1993
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1993
video
Video sculpture English title, [Suitcase, 1993] A video is projected into a suitcase. The source image is the well-known photo depicting Anna and Sigmund Freud in 1938, looking out of a train window on the occasion of their emigration. Layerings,
DER TRAUM VOM RAUM
2003
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2003
video
A light installation for the Night of Museums Berlin inspired by the concept of coloured shadows in Goethe’s Theory of Colours
INTERMITTENT
2006
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2006
video
INTERMITTENT is an audio-visual non-loop installation. The video and sound material is controlled by a dynamical system in the background.. The motion pattern of this particular dynamics is called Intermittency, a technical term from the field of
Matrix XII Krems
2019
video
“Matrix XII Krems” connects the new State Gallery of Lower Austria and the Kunsthalle Krems in a vast space below ground. The individual lights are arranged in a strict square grid on a slanted plane and delineate the border between emptiness and
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