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... of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual three-dimensional space constituted by an...

... cameras (for 3D, one for each eye) mounted on a rotating tripod. The installation consists of an input pedestal for interactively choosing place and time, a stereoscopic projection screen, four-channel audio, and a 16-foot rotating floor on which...

... telematic space. The piece consists of vectors, sounds and graphics that respond to the movement of the participants. Two interactive stations are needed for the piece; these are interconnected with a normal ISDN digital line so they can be in the same...

...Passage Sets / One Pulls Pivots at the Tip of the Tongue (1995) is an interactive installation that functions as an elaborate navigable audio/visual poem. Seaman worked with Chris Ziegler as the programmer for this work. Three projections comprise the installation,...

...Interactive computer installation "With the interactive video/computer environment, Body Scanned Architecture, presented at the Venice Biennale, Ruth Schnell explores a classic interface concept between real architecture (from the Hoffmann pavilion) and imaginary...

...The work is an interactive media art installation incorporating "eye tracking input" technology. Structures of molecules are generated real-time according to the movements of the viewers eyes during their interaction. The viewer wears a pair of virtual reality (VR)...

...The Panoramic Navigator is a uniquely new interactive multimedia information terminal that embodies patented augmented reality technologies developed at the ZKM Center for Art and Media in Karlsruhe, Germany. The Panoramic Navigator allows the general public to...

...World Skin is an interactive artwork presented for the first time at Ars Electronica (Linz, Austria). It won the Golden Nica Award in the Interactive Art category in 1998. Armed with cameras, we are making our way through a three-dimensional space. The landscape...

... appears first as an "info-point" column. As the visitors approach, he opens up into a "humanoide" figure and establishes an interactive relationship with them as he guides them through the environment. (FRANZ FISCHNALLER)

... visions sprouting from the rock In my installation people have "visions" beyond the real receiving shamanic powers from interactive technologies that allow them to modify the rock wall. The shaman believes that the rock has special power and it is a...