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From Last to First
2019
-
2019
video
From Last to FirstArtist: Nina SobellComment:
UNSEEN UNHEARD
2020
-
2020
video
Unseen brings to light from darkness, the metaphorical images of the invisible, pervasive viruses penetrating our world. By rendering these transformations perceptible a sequence of configurations emerges: First sweeping the earth, unfolding up
Mutations
2021
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2021
video
MutationsArtist: Nina SobellComment:
Kryophone
2019
video
“Kryophone“ is a sonorous and luminous interactive sculpture made of ice. This interactive sculpture is composed with ice and reacts to the electrostatic touch of bodies. Sounds and light evolve according to the intensity of electrostatic contact.
Random Rhetoric/Ars Electronica
2020
-
2020
video
GARDEN CONCEPT In the context of the Regional STARTS Centers in Greece, the non-profit platform for social innovation projects MADE GROUP, with the support of the Athens Tech College and the Cultural Association of Archilochus of Paros, sets the
Anonymous Real-Time
2017
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2017
video
Electronic Visual Music Work TRT: 1:53 Anonymous Real-time : Igor Amokian LIVE @ LA CITA June 7, 2016 LA CA. Directed and Animated by Victor Acevedo Music by Igor Amokian (Chris Holland) video © 2017 Victor Acevedo music © 2016 Chris Holland Victor:
ii - in the white darkness
2004
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2004
video
"In the white darkness“ is an interactive internet-art-piece about memory. The work was created by Reiner Strasser in collaboration with M.D. Coverley (Marjorie Coverley Luesebrink) over a period of 9 months in 2003/04. It assimilates and reflects
E[Y]GG[E]
2000
-
2000
video
E[Y]GG[E] is an interactive Net Art / E-Poetry piece created in Flash in the year 2000. It is a meditation about time and space on the Net and elsewhere. Exhibited i.e.: AJAC 2000 Art Show, Metropolitan Art Museum Tokyo, Japan, 2000; Faculty
Babel
1993
-
1996
video
BabelArtist: Ruth SchnellComment:
Body Scanned Architecture
1995
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1995
video
Interactive computer installation "With the interactive video/computer environment, Body Scanned Architecture, presented at the Venice Biennale, Ruth Schnell explores a classic interface concept between real architecture (from the Hoffmann pavilion)
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