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...Repsat uses the latest 3D printing technology and it´s conversion from digital files to printed format. Through this conversion we obtain three dimensional models in low relief called litophanies. This litophanies when are retroiluminated works as a bitmap in black and...

...FramedMemoryCard responds to an open serie of unique sculptures that becomes a receipt of digital information where the artist “bury” several files under the sculpture structure. It is defined us an information package hard protected with material such as massif...

... for the UNSW iCinema Centre's Advanced Interaction and Visualisation Environment (AVIE). For T_Visionarium, 28 hours of digital free-to-air Australian television was captured over a period of one week. This footage was segmented and converted into a...

... façade’s of contemporary buildings have been largely investigated as a sort of membrane for the display of interactive digital content. These facades often make use of intrusive systems such as LED displays, monitor walls, or light bulb systems that fully...

... the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie was done with Ikograph, a 3D software written...

... which goes beyond conveying message and meaning. Everyone can exist for others, wherever, whenever. It is part of a digital survival process. The space as and virtual footprint of the diggers mind There is no pre-existing space. There is no...

... perceive our presence in these distinct spaces and who has the authority to post our portraits? The blurry quality of the enlarged digital images gives people a spectral quality, turning them, in Cirio’s words, into “a digital shadow haunting the real world”."- -...

... super-bright LEDs, creating a pixel in a warped 8x8 spatial matrix. Together with Robert Henke: Inside a computer, digital music is entirely unseen. But translate it into the tangible world, and it can be anything you imagine – not limited by...

... rearrangement, thus initiating a dialogue between viewer and content. This method explicitly allows for mind games, and so the digital archive becomes a space for thought movement. (…) “The work of Fleischmann and Strauss thus enriches the discourse around...

...Lynn Hershman Leeson (b. 1941, USA) is a recipient of the 2010-2011 d.velop digital art and 2009 SIGGRAPH Lifetime Achievement Awards. She also is a recipient of the 2009 John Simon Guggenheim Memorial Foundation Fellowship, which that supports her forthcoming...